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ENTERTAINERSZakary2019-04-24T15:51:47+01:00
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zakary_belamy

Paris

Zakary BELAMY | Photographer & Filmmaker
Ce matin à l’aéroport de Paris, j’ai Vraimen Ce matin à l’aéroport de Paris, j’ai Vraiment ri Fort. Merci à VISA, cette modeste entreprise américaine, l’une des plus grosses machines de la finance mondiale, qui visiblement n’a pas les moyens de se payer une vraie direction artistique. Qu’est-ce que je découvre sur leur superbe affiche de pub ? Deux femmes musulmanes, probablement choisies pour cocher deux cases marketing d’un coup (diversité + authenticité, bravo le brainstorming). Elles tiennent fièrement un vieil appareil photo argentique des années 70-80… et là, le détail qui tue : elles regardent derrière l’appareil comme si c’était un écran numérique. Oui oui, comme si ce bon vieux boîtier à pellicule avait un écran LCD magique. L’instant Kodak version science-fiction. On sent que personne n’a briefé le photographe. Ou alors c’est un génie de l’absurde. En tout cas, VISA nous vend du rêve vintage… mais avec des bugs de réalité. Je ne suis pas sûr que l’IA aurait pondu une telle connerie. Bravo les gars. Continuez, je prends l’avion plus souvent rien que pour ça.
Had a good laugh this morning at Paris airport. W Had a good laugh this morning at Paris airport. WELCOME TO PARIS, THE CITY OF LIGHTS. Thanks to VISA, you know, that tiny American company, just one of the biggest financial empires on Earth, for blessing us with an ad campaign clearly crafted on a student budget. So, what do I see? A glorious poster featuring two Muslim women probably cast to tick the “diversity” and “authenticity” boxes in one go. They’re holding an vintage film camera from the 70s or 80s… and here’s the kicker: they’re staring at the back of it like it has a digital screen. Seriously ? Either the photographer was clueless, or this is performance art. In any case, VISA just gifted us a masterpiece of unintentional irony. Keep it up, guys. Honestly, I might start flying more often just for the ads.
Over the past 25 years, I’ve created dozens of p Over the past 25 years, I’ve created dozens of posters for international magicians, including many celebrities. I rarely share designs that aren’t mine — but this one deserves to be shared. Great magic design: simple and effective.
Cette citation de ce cher Jean d’Ormesson défin Cette citation de ce cher Jean d’Ormesson définie assez bien le reflet de notre société et les réseaux sociaux. Oscar Wilde et Laurent Beretta auraient pu l’écrire.
MAGIC LIVE 2024, Las Vegas, with brilliant spanish MAGIC LIVE 2024, Las Vegas, with brilliant spanish magician Miguel Angel Gea joining the photoshoot for thé historical project. Gracias por venir mi amigo.
MAGIC LIVE 2024, Las Vegas. With Jason Byrne that MAGIC LIVE 2024, Las Vegas. With Jason Byrne that I have met for 20 years after our last shooting at the LAdy LUCK on the Fremont street. Yeah, that was just yesterday and few wrinkles later. You were looking good after 20 years and great in the photos when reviewing them together. Thanks my old friend for coming.
MAGIC LIVE 2024, Las Vegas, featuring British magi MAGIC LIVE 2024, Las Vegas, featuring British magician Paul Kieve—a prolific creator, writer, and producer in the magic industry. Very excited to include you in this book project, which will hopefully make history by showcasing contemporary magicians. Once again thanks for having accepted my invitation for STUDIO NOIR.
MAGIC LIVE 2024, Las Vegas with Laura London, a ra MAGIC LIVE 2024, Las Vegas with Laura London, a rare and fine international female magician in our magic industry. Great to meet you at last after all this time. Very greatful for the inestimable work you did for David Berglas and I, as well as introducing me to Paul Kieve and Dynamo (Steven) for the photoshoot for the book. We meet again soon in London in February 2025 as planned.
MAGIC LIVE 2024, Las Vegas. Glad to have shoot the MAGIC LIVE 2024, Las Vegas. Glad to have shoot the FOLLER on Penn & Teller, Spanish Javier Benitez. thanks for coming my friend.
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